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When Akiko (Rin Takanashi), a lovely Tokyo student who moonlights as a call girl, is dispatched to a new client in the suburbs, she is surprised to find the shy and elderly Takashi (81-year-old stage actor Tadashi Okuno), a committed academic constantly distracted by work-related phone calls. The lonely widower seems far more interested in playing house than having sex, however, and the young woman soon falls asleep. The next day, when the two encounter Akiko's volatile boyfriend Noriaki (Ryo Kase), Takashi plays into Noriaki's assumption that he is actually Akiko's grandfather. As the three settle into their new roles, Takashi finds himself becoming the protector that Akiko so desperately needs. (c) Sundance Selects
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Movie Title : Like Someone in Love
Genre Movie :Art House & International,Drama
Mpaa Rating : Unrated
Release Date : Feb 15, 2013 Limited

Actors :Rin Takanashi,Tadashi Okuno,Ryo Kase,Denden,Mihoko Suzuki,Kaneko Kubota,Hiroyuki Kishi,Reiko Mori,Kouichi Ohori,Tomoaki Tatsumi,Seina Kasugai

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Review For Like Someone in Love

Making only his second film outside of his native Iran, Kiarostami undercuts the rigid protocols of polite Japanese society with intimations of violence.
Michael Posner-Globe and Mail

Kiarostami's apparent simplicity masks serious complexity.
Peter Howell-Toronto Star

Kiarostami is masterful in his layering of space, using glass walls, mirrors, and, in one instance, the aligned side windows of parked cars to suggest a world of divisions, both between people and within them.
J. R. Jones-Chicago Reader

Maybe it all serves a purpose, but a movie about empty people doesn't necessarily have to feel empty itself.
Tom Long-Detroit News

A Rorschach test of our own responses to the intimate drama unfolding before us.
Jeff Shannon-Seattle Times

The latest small, perplexing masterpiece from the Iranian filmmaker Abbas Kiarostami, who in recent years has chosen the path of a world director.
Ty Burr-Boston Globe

Like Someone in Love... is like a puzzle that takes an eternity to complete and yet still somehow contains too few pieces to be taxing.
Ryan Gilbey-New Statesman

As an exercise in conveying place, mood and human foible, this is consistently intriguing.
David Parkinson-Radio Times

[Kiarostami] almost throws up something magical, here.
Charlotte O'Sullivan-This is London

This is an intriguing, elliptical affair, the emphasis on reflective surfaces (and off-screen voices) reminding us that we are only ever seeing an opaque refraction of the whole picture.
Mark Kermode-Observer [UK]

The septuagenarian's most playful tendencies have been liberated and he has started to make films that look like the work of a younger director raised on vintage Kiarostami.
Tara Brady-Irish Times

A frustratingly inscrutable film that fails to engage.
Allan Hunter-Daily Express

[A] beautiful, subtly tender and narratively slight film ...
Tony McKibbin-The List

A major statement from one of the world's greatest living filmmakers.
Andrew Schenker-Little White Lies

Gnomic, anfractuous, inconsequential.
Nigel Andrews-Financial Times

Like the best dreams always do, it ends with a jolt, but its ideas and images linger like dust in sunlight.
Robbie Collin-Daily Telegraph

A tender and touching drama about a young high-class escort who forms a connection with an elderly widower, but certain scenes in this quiet slow-burner feel overstretched and arguably unnecessary.
Jennifer Tate-ViewLondon

A film that feels unique and innovative.
Stefan Pape-HeyUGuys

Now practically an exile from his homeland, Kiarostami follows Certified Copy with another film-literate relationship drama with the enigmatic overtones of Hitchcock.
David Parkinson-Empire Magazine

From the incredible opening shot onwards, it's clear Kiarostami's cinematic language translates perfectly in any setting.
Philip Concannon-The Skinny

Like Someone In Love explores familiar Kiarostami themes - how we slip between roles in our relationships - with a terrifically light touch, making for his best since 1999's The Wind Will Carry Us.
Tom Dawson-Total Film

Veteran Director Abbas Kiarostami's Like Someone is a fine followup to his brilliant Certified Copy. It's lovely, intriguing, stylish and very, very good.
Tim Cogshell-Alt Film Guide

The movie is filled with examples of and references to methods of communication: Books, faxes, cell phone messages, answering machines, intercoms, misunderstood jokes, traffic signals, the honking of car horns, a painting of a parrot learning to speak...
John Beifuss-Commercial Appeal (Memphis, TN)

If you can meet Like Someone in Love on its terms, it has much to recommend it.
Ken Hanke-Mountain Xpress (Asheville, NC)